"The Sandman"
Friday, April 29, 2011
"She, as beloved "Melania G. Mazzucco
Editorial Anagram. 
"In Africa, some tribes of the equatorial forest considered when a patient has to cure change and adopt a new name. The sick person is dead, and that has emerged is another.
this is because the name is lost the previous identity, with all that follows from it: misfortune, fate and everything else.
The guide assured him that the whites do not believe in some superstitions, and so, since he returned to Europe after many troubles, cured, or just returned to find the name that had always been theirs. Annemarie. "
read the novel heresynopsisIn all his novels, Melania Mazzucco (Roma, 1966) leads to the edge of reality of fiction. His narrative works impress with literary precision. In his book "She so loved" again uses the fictional reality to tell the life of one of the most fascinating and original women of the twentieth century literature. Annemarie Zchwarzenbach (1908-1942) passed through the world like an angel devastating. The novel opens with his death at 34 years for a simple fall on a bicycle. Destination unexpected for someone who tried to kill himself several times without success. Her slim figure, confused with a man, reveals the sadness that always accompanied it. The novel follows the young millionaire from his early years in Berlin in 1930, where he began to frequent the Artists Guild. His overwhelming personality aroused feelings of admiration and envy. Addicted to morphine, was an archaeologist, a reporter and photographer, touring countless countries in the Middle East.
The play is faithful to the broad lines the life of the writer. Since his relationship with a mother who failed in the attempt to fold her daughter resolutely conservative traditions, to his devoted friendship with the family of Thomas Mann, whose children, Erika and Klaus, in Annemarie cause obsessive admiration. Joining them will be a famous trio of indeterminate sexuality. In love with Erika, will be the relationship with Klaus in the biography which acquires greater scope. From his misfortunes affairs with women traveling with their terrible stays in psychiatric hospitals, suffering from a schizophrenic inmate unconvincing, Mazzucco leaves no detail to escape the life of the journalist. Perfectly recreates the atmosphere tense Annemarie wars in which, along with Mann, of Jewish origin, will begin a work of resistance from different countries.
volatile, mysterious, noble, asexual, terrible, almost transparent, Annemarie was an unattainable woman. "Would continue to wander, without stopping, as a migratory bird that flies all domains without ever recognized any of them," from one bank to another world, without ever finding his house, getting rid of a form of existence so restless and wandering bordering on madness "(p. 227). Aroused admiration is still alive among the minds to continue to inspire artists biographies like Mazzucco, who has managed to graft on an admirable novel research of high precision. His narrative detail place it in the top of the scale of contemporary writers. elcultural.es
Annemarie Schwarzenbach
Annemarie Schwarzenbach
writer and photojournalist Annemarie Schwarzenbach document social conditions in Afghanistan to Alabama and was one of the women pioneers of the profession. Her fiction reflected the tormented attachments and recurring loneliness that affected their lives breve.Schwarzenbach privilege was born in May 23, 1908 in Bock, near Zurich, Switzerland. His father, Alfred, was a wealthy textile industrialist, her mother, Renée, a prominent lady, was a granddaughter of Otto von Bismarck, first chancellor of Alemania.Mientras that Schwarzenbach was little, her mother took out a long term relationship with the opera singer Emmy Krüger, which may have catalyzed Annemarie awareness of its own attractions for women.
Renée Schwarzenbach Hasi surrounded by her children (left), Gundalena niece, Anne, Susan and Freddy. Mariafeld, July 7, 1921. (Alexis Schwarzenbach / Metropolis) 
Annemarie inclinations to dress and act as a child school pictures show the adoption of the juvenile behavior that are subject to whims of others throughout their vida.Schwarzenbach entered the University of Zurich in 1927 for studies in history and literature. At this time, she also began to write fiction.
Annemarie Schwarzenbach, Sonja Sekula and Klaus Mann - Engadin - Switzerland 1936
Three years later he met Erika and Klaus Mann, the child prodigy novelist Thomas Mann, and began a relationship with Erika. He traveled throughout Europe with the brothers and frequented the artistic circles of Berlin and gay bars with them. She also began to use morphine, which led to a lifelong addiction and periodic detoxification clinics.
; Annemarie Schwarzenbach with Venice-1932 Erika Mann Schwarzenbach In 1933 he traveled to Spain with the photographer Marianne Breslauer, one of the many tours that provide material for his career. Breslauer described it as "a strange mixture of men and women." A frequent theme in the portraits of Breslauer, Schwarzenbach was an expert in sulky poses androgyny still retain their appeal.
His strange and heartbreaking beauty that Thomas Mann was forever christened as "the angel devastated", but its strength also proved devastadora.El rise of the Nazis ended the Berlin cultural exuberance. The Mann took refuge in Switzerland, but are gaining ground fascist politics as well. Erika could not tolerate Schwarzenbach emotional ties to their parents, who were right National Front as good for business and broke off their relationship. In 1934, however, accompanied by Klaus Mann Schwarzenbach to Moscow to attend the first Congress of Writers.
After
of a suicide attempt, probably instigated by his conflict with his family, Schwarzenbach traveled to Persia (Iran), where, in 1935, she married French diplomat Claude Clarac. It was a deal of utilities (both were homosexual), and always helpful with a diplomatic passport Schwarzenbach. However, shortly after his marriage fell into a depression, compounded by a scandal over his affair with the Turkish ambassador's daughter Teherán.Durante this period he wrote in Persian Tod (Death in Persia), not published until 1998, an autobiographical novel It then elaborated in Das Glückliche (The Happy Valley, 1940), a curious blend of travel writing, autobiography and critical comments. Schwarzenbach In 1937 he joined the personal and professional American photographer Barbara Hamilton-Wright. His travels to communities affected by depression in New York through the Appalachians as a result of the Deep South a series of scathing articles in the European press in the U.S. race and class relations, illustrated with photographs impresionantes.Entre travel to America, Schwarzenbach reported on the rise of fascism in Eastern Europe and was highly critical of Swiss neutrality.
In 1939, after another personal crisis, he traveled to Central Asia with the Swiss photojournalist Maillart, who was convinced he could rescue from their addictions Schwarzenbach. That proved to be a lost cause, but the pair produced a richly illustrated documentation of life in the region even though their relationship deteriorated. Maillart told travel later in the memoir How cruel (1986), which Schwarzenbach disguised as "Christina."
Many of the writings of Schwarzenbach are hybrids that combine elements of literary fiction, poetry and autobiographical.
His first novel, Bernhard Freunde um, has a protagonist gay male. She puts on the ill-fated love obsession of Lyrische Novelle as a heterosexual romance, but later acknowledged that draws on a lesbian relationship. His documentaries are trips to the psyche as well as descriptions of places exóticos.Gran Schwarzenbach part of the writing remained unpublished in his lifetime. In late 1980 a renewal of interest in his work by German scholars and feminists created a series of annotated editions of his fiction and commentary. For those who speak English, subtitled versions of the documentary by Carole Bonstein A Swiss Rebel (2000), the display program Godwin Ternbach Museum exhibition, Annemarie Schwarzenbach: Selected Photographs and Writings, 1933-1940 (2005); extracts of the last translated by Isabel Cole and Chris Schwarzenbach offer the best windows in their life and work.
His first novel, Bernhard Freunde um, has a protagonist gay male. She puts on the ill-fated love obsession of Lyrische Novelle as a heterosexual romance, but later acknowledged that draws on a lesbian relationship. His documentaries are trips to the psyche as well as descriptions of places exóticos.Gran Schwarzenbach part of the writing remained unpublished in his lifetime. In late 1980 a renewal of interest in his work by German scholars and feminists created a series of annotated editions of his fiction and commentary. For those who speak English, subtitled versions of the documentary by Carole Bonstein A Swiss Rebel (2000), the display program Godwin Ternbach Museum exhibition, Annemarie Schwarzenbach: Selected Photographs and Writings, 1933-1940 (2005); extracts of the last translated by Isabel Cole and Chris Schwarzenbach offer the best windows in their life and work.
Schwarzenbach photography from Central Asia provides an accurate record of traditional life that preserves the dignity of the subjects against the harshness of the detention of their environment. His work in America, by contrast, projects the resignation of both sullen blacks and poor whites of human infertility built city streets and areas industriales.Ella perhaps most disturbingly captured the growing threat of fascism Europe through disturbing portrait of the Hitler Youth and the National Socialist officials, smugly confident in their identities grupo.A early Schwarzenbach war returned to the United States, supporting more depressive episodes and a rich history of immigrants convicted von Margo Opel. In New York reconnects with the Mann brothers and through them he met writer Carson McCullers, who fell madly in love with her.
; ;
Carson McCullers
Schwarzenbach, intended to rekindle the relationship with Erika Mann, not applicable. Mann, however, was concerned with the legal and financial support of refugees europeos.Para Schwarzenbach political is personal. Economically dependent on their family and wanting to avoid alienation, opposed its intellectual class position through his journalism and other writings. But emotionally, she still wanted and needed his aprobación.Sus fellow expatriates, particularly the brothers Mann, whose policy was clear and had been released activismo anti-fascista, tenía poca paciencia con sus dilemas internos.La noticia de la muerte de su padre y el deterioro de sus relaciones precipitó una crisis emocional en 1940. Después de dos partos institucionales en los EE.UU., Schwarzenbach volvió a Suiza en 1941 y trató de recoger los pedazos en el pueblo montañoso de Engadina.Ella tomó las tareas de presentación de informes en Portugal y África y se reunió con Clarac en Marruecos, antes de regresar a Suiza en 1942. También comenzó una correspondencia regular con McCullers, que había dedicado Reflejos de un ojo dorado (1941) a ella.Si bien en bicicleta a St. Moritz a firmar documentos en su casa en septiembre de 1942 se dio un derrame y sufrió a head injury from which he never recovered. She died on 15 November at the age of photographic subjects 34.Muchos Schwarzenbach seem genuinely rooted in their environment. One is tempted to read this as a longing for his own place in a world that roamed hungrily. That can be a great impression, but after all, she had that effect on people.
Carson McCullers
Schwarzenbach, intended to rekindle the relationship with Erika Mann, not applicable. Mann, however, was concerned with the legal and financial support of refugees europeos.Para Schwarzenbach political is personal. Economically dependent on their family and wanting to avoid alienation, opposed its intellectual class position through his journalism and other writings. But emotionally, she still wanted and needed his aprobación.Sus fellow expatriates, particularly the brothers Mann, whose policy was clear and had been released activismo anti-fascista, tenía poca paciencia con sus dilemas internos.La noticia de la muerte de su padre y el deterioro de sus relaciones precipitó una crisis emocional en 1940. Después de dos partos institucionales en los EE.UU., Schwarzenbach volvió a Suiza en 1941 y trató de recoger los pedazos en el pueblo montañoso de Engadina.Ella tomó las tareas de presentación de informes en Portugal y África y se reunió con Clarac en Marruecos, antes de regresar a Suiza en 1942. También comenzó una correspondencia regular con McCullers, que había dedicado Reflejos de un ojo dorado (1941) a ella.Si bien en bicicleta a St. Moritz a firmar documentos en su casa en septiembre de 1942 se dio un derrame y sufrió a head injury from which he never recovered. She died on 15 November at the age of photographic subjects 34.Muchos Schwarzenbach seem genuinely rooted in their environment. One is tempted to read this as a longing for his own place in a world that roamed hungrily. That can be a great impression, but after all, she had that effect on people. Ruth M. Pettis
Photo Exhibition of Annemarie Schwarzenbach 
Annemarie Schwarzenbach works
Happy Valley New lyrics Death in Persia Far from New York, reports and photographs to the exiles Orienta
Where is the promised land
peak Shelter 
Regristo bibliographic works in the German National Library
Happy Valley New lyrics Death in Persia Far from New York, reports and photographs to the exiles Orienta
Where is the promised land
peak Shelter
Regristo bibliographic works in the German National Library A film
Synopsis In 1939, the writer Annemarie Schwarzenbach and ethnologist Ella Maillard go from Paris to Kabul by car. Undertake the journey to get away and find themselves. But when they reach their destination, the Second World War breaks out in Europe. sheet film
AUTHOR ON LA
Melania G. Mazzucco (Roma 1966) is an Italian writer. He graduated from the University of Studies of Rome La Sapienza, majoring in film at the Centro Sperimentale in Rome.
He agreed to the photographs taken by annemarie and his mother about 10,000 , Mostly unpublished. Melania Mazzucco said that everything that comes out in his novel is real, rigorous verdad.Es Minusio narrative.
Today (2005) is dedicated to writing novels and screenplays, stage and radio. Among his works for the radio are "La vita assesina" (1997) and "Dhule" (2001) with which Italy won the Best Product of the year European radio. She also writes travel articles and reports for various Italian newspapers. "The kiss of Medusa 1997
-1998 Balthus chamber
-Vita 2004
-Vita 2004
She so loved
2006-2011
2006-2011
"A perfect day 2008
-The long wait 2011 Angel
SOURCES:
http://es.wikipedia.org / wiki / Melania_G._Mazzucco
http://dispatch.opac.d-nb.de/DB=4.1/REL?PPN=118997718
http://www.lukor.com/literatura/noticias/0610/30163043.htm
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