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"Fire" a film by Denis Villeneuve

sheet film:

Production year: 2010
Country: Canada
Director: Denis Villeneuve
Cast: Lubna Azabal, Melissa Désormeaux-Poulin, Maxim Gaudette, Rémy Girard, Abdelghafour Elaaziz, Allen Altman, Mohamed Majd, Nabil Sawalha, Baya Belal
Argument: Wajdi Mouawad (play)
Screenplay: Denis Villeneuve
Music: Grégoire Hetzel
Photography : André Turpin
Distributed in Movies: Altafilms
Duration: 130 min. Public
appropriate: Adult
Genre: Drama

A family history of

Canada. Twentysomething twins, Simon and Jeanne, are witnessed in a few days the health of his mother, Nawal Marwan, cracks completely, so you just dying engulfed in the most complete and baffling silence. When the notary family friend Nawal's will deliver their children, they learn that their father is dead, as they thought-and also have a brother. The amazement and disappointment are great, as well as difficult to digest, because Jeanne and Simon that news is the straw that broke the camel in the anomalous behavior of her mother, who always acted with them and yet oddly distant. Now the latest Nawal will be buried before their child is looking for his brother and father, and they delivered a letter to each. Jeanne, who will assume responsibility for initiating the investigation, to which he moved to the Middle East with the intention of unraveling the story of his mother.

tough and powerful film Canadian Written and directed by Denis Villeneuve Quebec, from a Lebanese play of Wajdi Mouawad . The result is a terrible film, in line with others who also speak of the consequences of war, as Go and live. This brings us a story of pain, revenge and suffering, but the good hand of Villeneuve does not explicitly show palatable to the most terrible passages of the argument. Things can be said without thereby having to take his eyes off the screen, and that is appreciated. Nawal's story is a bang and introduces us to a time-the 60 and 70 - of wars and massacres in East Medium, where religious and nationalist factions destroyed the lives of thousands of people. But there is no good and bad - "the situation is too complex to simplify Manichean poles," says the director, but a spiral of evil that only creates more evil and can only end when love "break the wire anger ", as one of the characters. And this is ultimately what does this dense film, we realize that violence is not solving anything, and just adds more pain to pain.

The movie moves at a slow pace, with plans and long dialogues, shot with classical elements and slowly unwinds the skein of the history of Nawal, who is also the story of their children. For that Villeneuve splits the story in several episodes as the characters in question or place and time where they occur, so the story is not told linearly, but goes from present to past and vice versa. While sometimes baffled the swing, the set works perfectly and is certainly a wise choice to a narrative that could be done perhaps too harsh.

The performances are wonderful, especially by del lado femenino, con una inconmensurable  Lubna Azabal  en el papel de Nawal, cuyo rostro pone los pelos de punta en escenas clave como la del autobús, y con la joven  Mélissa Désormeaux-Poulin , que también brilla con luz propia como Jeanne. El film fue elegido para representar a Canadá en los Oscar.

DESCARGAR PELÍCULA AQUÏ  

Incendies - Trailer subtitulado

 EL film director Denis Villeneuve

"I wanted the authenticity of Arab culture"

The filmmaker Denis Villeneuve.

After collecting three awards at the Seminci of Valladolid, and having been nominated for an Oscar for Best Foreign Film, arrives today Incendies English rooms. Its director, Canadian Denis Villeneuve, explains the difficulties of adapting a tragedy set in the Middle East, based on a hit play. The work of Canadian
Denis Villeneuve greatly relies on the ethical implications of the stories, in their ability to alter the foundations of the story the characters undergoing forces greater than them, carrying them along a more disruptive effect. Also known to give them a suitable covering those stories that always come together in dramatic excess, so as to present the tragedy play for cinematic verisimilitude. In Polythecnique, his third feature unprecedented in English rooms, which dramatized the slaughter of the Ecole Polytechnique de Montreal, 1989-a misogynist disturbed that killed 14 students before opening fire on himself, "Villeneuve chose to shoot in a dirty white and black, closely following the killer (a bit like Gus Van Sant in Elephant), relating to anti-feminist reflections off left written in his suicide letter. The film raised a stir in Canada, which still carries the trauma of probably the most horrible tragedy that the country has experienced.

In the Middle East
No discussions have been less awakened his latest work, Fires, adaptation of the hit play of the Lebanese namesake Wajdi Mouawad. Especially in the heat of the Arab revolution, this family drama historical content about the consequences of the massacres in the Middle East, the film takes us to an Arab country vague in the 60's and 70's, when the effects of religious and nationalist divisions were so devastating, acquired even greater significance. "The situation is too complex to simplify Manichean poles," said Villeneuve. And finding that balance, dealing with the suffering of his characters without being carried away by emotional pornography, is where the film actually plays artistic success or failure.

-face of a material so hard and so complex historical implications, the challenge was to ensure total authenticity in relation to the reality of Arab culture. To do this required a lot of research has been much on my part as the actors. In the beginning, when I thought about adapting the work of Wajdi [Mouawad], did not seem a good idea that a Quebecer and I made a movie about the immense impact of conflict in the Middle East. Not good for a filmmaker to talk about something that is unknown, and I knew neither Arabic culture and the reality of war. Therefore, it has been a film that has required a long process of research and learning.

- Mouawad Did it help in this process?
"Yes and no. I put two conditions: that I collected all of history, and that would leave me alone because I had no time to devote to the film. He said he could take the title and change, a character, an entire sequence and remove it wanted, it could even invent scenes that need. I was very encouraged. What got me the work is to address the identity conflict of the characters through the family, and while it worked as a metaphor for the situation in the Middle East. In the film I tried to give a universal value to these conflicts of identity, because I feel comfortable in the field of family dramas, and not limited only to the reality of a country.

hatred Heritage Incendies
's argument, which was nominated for an Oscar for best foreign film and picked up three awards at last Seminci is really devastating. Start with the death of Nawal Marwan, a few weeks after he entered a state of silence when a man identified by chance in a pool. The investigation of the origins of this trauma is undertaking his twin sons Simon and Jeanne, born in Quebec, where his mother's will give them the news of having a father and a brother who have never known. Nawal's dying wish that their child goes looking for his brother and father and they delivered a letter to each. Jeanne is responsible and moved to the Middle East to start the investigation and unravel the terrible story of his mother. In the convoluted film's episodic structure, with jumps in the time to count in parallel the process of investigating the story of Jeanne and her mother thirty years ago, is compounded by the difficulty of providing humanity to characters who work as actors in a Shakespearean tragedy, symbols of a conflict and a blood feuds.

"The writing process was really hard. Valérie Beaugrand-Champagne worked with me as a kind of script consultant. When reading an early version that I sent to the producer, told me: 'Congratulations! Since you have only 80% of the work. " Made me look 18 times the script to get real characters, not just ideas or representations. Regarding the structure of the film, I think is very revealing because the investigation of the daughter and the history of the mother are not an exact equivalence, but there is some resonance and dramatic continuity between story lines. The merit is not mine. This was already well in play, which I loved dramatic structure, as prepares you for a truly surprising outcome, so I decided to keep the same idea. "

- Why place the conflict in a country vague?
-was also well in the play. I was tempted to change and indeed there is a version of the script set in Beirut, but I realized that it was very easy to get wrong, and I understood why the author had made that decision. Being more specific would have meant taking sides, and is something that is not wanted.

"But that kind of abstraction also carries some risks, as they accuse the film of a certain cowardice, a certain ambiguity ...
"It is impossible to take sides with one or the other. And Wajdi also told me that even he, being Lebanese, was unable to provide a definitive and clear view about their country. Narrative purposes, this option also proposes many questions. What culture are we talking about? I got to shoot with no questions and answers. This film is inspired by the collaboration between Jordanian and Lebanese who have worked there. It is they who have pointed me what I had to do. We have created a sort of imaginary region, a kind of maelstrom, an area of \u200b\u200bsouthern Lebanon bordering northern Jordan. Clothing, food, all the rites, are inspired in that area, but the Arabic accent is different. I felt that this proposal was accepted by those who were working on the film, so that the story was extrapolated to other countries in the region.

Carlos Reviriego A short film done in the style of a German expressionist silent film. It is meant to illustrate Freud's theory of "sinister", which is based on the story by ETA Hoffmann, "Sandman." It is a work in progress. Thomy Kessler stars as the Sandman The music is both from the public domain recordings of classical music on wax cylinders and some of my own music. was originally created as part of a documentary on sex dolls and the men who love them. It was created to establish a section of the sinister idea.

this final version is currently making festival rounds this time, including the Short Film Corner of Cannes International Film Festival of Nashville

's basically the story of when a man loves a
android

The short music

:

The first piece is a funeral march marionette Gounod,

the second is coven mater - inflammatus Rossini et accensus

the last is my own music - a piece called the subject of Nathaniel (plays the third part through the epilogue)

richragsdale





SOURCE:

http://www.youtube.com/user/richragsdale

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"The Sandman"

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"She is loved" Melania G. JUANA

Joan of Trastámara "The Beltraneja"

Women in History
If there is a destination, the Princess Joan, daughter of King Henry IV, born marked by misfortune. If we forge day by day his friends and enemies will convert a victim that history forgot. Who was the legitimate queen of Castile? Juana " or aunt Isabella?
Video: Women in history - Juana la Beltraneja

Joan of Trastámara, dubbed the Beltraneja

(Madrid February 28, 1462-Lisbon 1530). English Infanta, dethroned queen of Castile and Leon, Queen consort of Portugal relieved of his rank, had to resign treated all his titles and estates, even as a English infanta and Highness, being officially named by Portuguese royal decree, "a Great Lady" to the end of his long life in exile Portugal. It was the only daughter and heiress of Henry IV and his second wife, Queen Juana of Portugal, daughter of Edward of Portugal. Part of the Castilian nobility did not accept it as a biological daughter of the king his father, whom he accused of having forced the queen his wife have a son with his favorite, Beltran de la Cueva

,

first Duke of Alburquerque, although both had solemnly sworn that he had not been. There were suspicions about the impotence of Henry IV and who had previously been married to Blanca of Navarre and the marriage was annulled because it was never consummated. In addition, Henry IV had no sons or his wife or any of her lovers.

Henry IV the Impotent Children

Enrique IV was nicknamed at the time by his opponents
the Powerless

, not so much for not having had children by his first wife, Blanca de Navarra , for the public domain that made the abandonment of their conjugal duties. So when his second wife, Juana of Portugal, gave birth to a child, she was assigned to an alleged adulterous affair of the Queen with one of the monarch's private, Don Beltran de la Cueva, hence is nicknamed the princess as the Beltraneja

few months after birth was sworn in the Courts of Madrid and Princess of Asturias and heir to the kingdom (May 9, 1462
). A two year old tell the princess during the height of noble revolt against Henry IV, who was charged with unlawful the princess and sided with the king's brother, Prince Alfonso. The king tried to solve the aristocratic revolt by agreeing the marriage of Alfonso with his daughter Jane, well, agreed to proclaim as Prince Alfonso, heir and successor to the kingdom in 1464

Henry IV himself proposed King Alfonso V of Portugal

, shortly before the link with the child Juana Juan, son of Portuguese. Neither project was carried out, and instead the King of Castile second time disinherited her daughter to recognize in the Treaty of the Bulls Guisando as Princess of Asturias, his sister Isabel, provided it Prince to marry him elected. Not long after 1468 and 1469) sought to marry Isabel Alfonso V of Portugal

,

brother of Queen of Castile, and Juana, renewing the old project, with John, the eldest son of Alfonso V, with provided that happened to Juana Isabel if it died without any children. Nor was the project closely.

;

Beltran de la Cueva in an idealized portrait of the nineteenth century

A princess custody

Curiously, the daughter of King Henry IV, most of his life he lived guarded by the nobility, which had in it a valuable hostage. From 1465 to 1470 the Count of Tendilla guarded, the Mendoza family, the castles of Buitrago del Lozoya and Trijueque From 1470 to 1474, Juan Pacheco at the castle and the castle Escalona
Madrid. From 1474 to 1475
Diego López Pacheco, in the Alcazar of Madrid and in the castles of esaclona and Trujillo. What remains clear in his various biographies is that he never was guarded by Diego López Pacheco in his castle of Belmonte (Cuenca)
.

Pedro Gonzalez de Mendoza (Cardinal)

Betrothal with the Duke of Guyenne

Isabel secretly married after the Infante Ferdinand of Aragon in 1469, breaking the provisions in the treaty with his brother Henry IV. He, who all his life lavished on her daughter paternal affection samples gave positive response to the ambassadors of Louis XI of France

, they asked the hand of Joan for the Duke of Guyenne, brother of the French. The marriage contract is signed in Medina del Campo in 1470

At the request of John Pacheco and the ambassadors of France, Henry IV revoked the Treaty of the Bulls Guisando, after taking the oath, together with his wife, the Infanta Juana was his legitimate daughter. We checked the ceremony Valdelozoya ( October 26) conveniently arranged in a meadow the object, not far from

Buitrago del Lozoya,

and then present the nobles gave to the Princess the usual oath of allegiance as heir to the Crown, an act which was not punishable by the courts, the princess married the Count of Boulogne, a representative of Duke Guyenne. The Cardinal of Albi, one of the ambassadors of Louis XI, was on that day in charge of taking oath to the kings and verify the betrothal.

; ; Genealogia de los Reyes Catolicos Bando de Juana

Dead Enrique IV impotent, almost all the nobility supported the cause of Elizabeth, in other words, the alliance Castlla crowns and Aragon; but some very powerful families in Castilla embraced the party of Juana.

Juana was recognized as queen by Diego Lopez Pacheco, Marquis of Villena, of great influence in the southern New Castile by his vast states, extending from Toledo to Murcia. The same was made the Duke of Arevalo, who enjoyed considerable crédito en Extremadura y en el mismo bando ingresaron el marqués de  Cádiz el gran Maestre de Calatrava, un hermano de éste y el arzobispo de Toledo  

Alfonso Carrillo

                                                   Medieval walls of Ávila

Queen of Castile and Portugal

Juana Understanding advocates that his forces were inferior to those of Isabel, Alfonso V asked the Portuguese to defend the right of his niece, who was Juana, and he proposed to marry it with what would also be king of Castile. Accepted

Alfonso, Isabel and Fernando went to a demonstration, demanding that they renounce the crown in favor of Juana if they wanted to avoid the consequences of the war, and over the border with 1,600 laborers and 5,000 horses moved through Extremadura. Reached Plasencia, where he joined the Marquis of Villena and Duke of Arevalo, and there married (May 25, 1475) with Jane, who ran both messengers to Rome requesting waiver of the mediated relationship between them.

Then the newlyweds proclaimed Queen of Castile, and issued letters to the cities, giving the right of Joan and claiming their loyalty. Juana, in these letters, issued by the Secretary Juan Gonzalez, says that Henry IV in his deathbed he solemnly declared that she was his only daughter and rightful heir.

Juana tried to prevent civil war proposing that the national vote resolve the issue of better right. Here are his words from the letter or manifesto addressed to the cities and towns of the kingdom: "
After the three states of these these my kingdoms, and by people chosen dello good reputation and awareness that are not suspected, free and determined to see justice for those whom these my kingdoms fall, because they excuse all hardships and breaks

war. "

start fighting

to no avail these good wishes. Ferdinand and Isabella made preparations to repel by force the Portuguese. This committed the blunder of remaining Plasencia inactive and Arevalo, giving his opponents time to gather 4,000 men in arms, 8,000 horsemen and 30,000 laborers. Hostilities broke out in various parts of the peninsula. Alfonso V, leaving Arévalo, seized Toro and Zamora. Fernando Toro appeared before the militias of Ávila and Segovia, rather soon had to retreat, which was chaotic and disastrous. Instead commoners Castilian vassals of Joan, served with reluctance under the Portuguese flag, and the nobles who supported the daughter of Henry IV had to do enough to defend their territory of Galicia, Villena and Calatrava against supporters Isabel. Several squadrons of light cavalry Extremadura and Andalusia caused the most frightful desolation in the land bordering Castilla Portugal, and Portuguese nobles complained loudly of being locked in Toro in his own country when the war was burning.

Juana In Toro had his court with great pomp, and, in the words of his partisans, displayed great qualities of a queen, but had only thirteen then. Alfonso V, however, renounced its claim to the crown, receiving in exchange the province, the cities of Zamora and Toro, and a considerable sum of money, but Elizabeth, who consented to the last, refused to yield a single inch of land. True to this the city of Burgos, it was necessary, however, that Fernando besieged the castle of the same kept by Iñigo de Zuniga, a supporter of Joan. The site of the fortress passed Fernando Zamora, whose inhabitants returned to the obedience of Isabel.

Guisando Bulls

Battle of Bull

Toro Alfonso V received near Zamora (February 14, 1476 )

reinforcement of 2,000 cavalry and 8,000 infantry, led by his son John. He surrendered to Don Alfonso of Aragon, brother of Fernando, the castle of Burgos, but not before tried to help Alfonso V, who had to go back, bound by Isabel, the Portuguese king lost the battle of Toro, but his son, Prince John, later John II of Portugal, won with its host, remaining in battle three days forced the winner, but gave the castle Fernando Zamora did the same Madrid and all the squares in the center of the kingdom, the duke of Arevalo, the Grand Master of Calatrava his brother , which was a count of Urena, and many other nobles.

resumption of hostilities Portugal Juana entered escorted by her cousin John and 400 riders. Alfonso returned to his kingdom, and though Toro troops left this city at once proclaimed Elizabeth, an example followed by the people of Toro Castruño Castle surrendered 20 October, the leaders of Isabel won the villas and castles of wealthy supporters of Juana, and the archbishop of Toledo, Marquis of Villena and the others eventually seek forgiveness and pay allegiance to Elizabeth. Granted
Pope requested waiver by Alfonso V and John, and he tried to renew Portuguese (1478) Castilla your company, acting in accordance with the archbishop of Toledo and the Marquis de Villena; more, Sixtus IV revoked the dispensation granted for marriage before the Beltraneja, the Master of Santiago smashed into a body of Portuguese in the Albuera, and Isabella, located Trujillo, issued orders to encircle the same time to Merida, Medellin, and other strengths Montánchez
Extremadura

Alcáçovas Treaty. Publication of the treaty in Seville, March 14, 1480. 1st page

Alcaçovas Treaties

The war lasted until September 1479. Portuguese king tries to neutralize the Aragonese in Castilla, abdicating the Portuguese crown in her son and traveling to France to seek the alliance of King Louis XI, and of his seeking Flandres cousin Charles the Bold, but while both were enemies and fought each other, killing the Duke of Burgundy in 1477 at the hands of the Swiss.

; ; ; Portrait of King Alfonso V of Portugal

Alfonso V was after leaving the hypothesis of these alliances began to negotiate two peace agreements between Elizabeth I and Ferdinand V and Alfonso V and his son Crown Prince Perfecto and regent of Portugal, through Beatrice, princess of Portugal, Duchess of Viseu

and Beja, mother of the future king of Portugal, Manuel I. The Portuguese princess was both cousin and sister-Alfonso V while maternal aunt of the future Queen Catholic. Through him signed two agreements in the Portuguese town of Alcáçovas, a stipulated the dynastic succession in the crowns of Castile: Third party de Moura

forcing the children of Catholics first and only son of Prince Portuguese, along with their cousins \u200b\u200bthe infant children of the Infanta Beatriz, to live and be educated together in this princess widow in her dominion de Moura, Beja duchy land also belonged. It was stipulated the marriage between the heir grandson of Alfonso V and the eldest daughter of the Catholics, they would grow together. Under that treaty, left Alfonso V the title and arms of King of Castile, resigned from the hand of his niece, Jane, were forced not to support the claims of this the throne of Castilla , and gave Joan a period of six months for her to choose between marrying the prince Juan, son of Ferdinand and Isabel, after the infant reached a given age, or retire to a convent and take the veil. Well

Juana met their interests had been sacrificed, as the term in his future marriage with Don Juan was ridiculous, since the infant was added, to reach a suitable age, could reject this link if not liked, not being a Jane in that case other right than to receive a compensation of 100,000 ducats.

"Monasterio de San Juan de los Reyes (Toledo)

Sent by Isabel la Católca build to commemorate the birth of Prince John and the victory in Toro in the year 1476,

See more about this monument here The Luso-Castilian second agreement, the Treaty of Alcaçovas Reflecte lusa naval victory in the Atlantic during the war, under the command of Diogo Cao: set the boundaries of maritime expansion and the respective jurisdiction of two crowns surrounding the ocean. Aragonese and Castilian monarchs recognize ownership Portugal Madeira and the Azores, the exclusive right of conquest over Tingitánea, Mauritania, Morocco and the kingdom of Fez - Guinea and all its navigation and beyond the Atlantic islands of the Canary Islands (Sao Tome and Principe and Cape Verde) Portuguese stayed. The crown of Castilla Portugal recognizes the ownership of the Canary Islands, southern boundary established to navigation Aragon and Castile in the Atlantic.

Coimbra Religious

Monasterio de Santa Clara de Coimbra

Injury dignity and interest, immediately retired to the monastery of Santa Clara of Coimbra , where he delivered his vows the following year. Ferdinand and Isabella sent to the Portuguese city, that they might witness the ceremony, Diaz de Madrigal, individual of the Royal Council of Castile, and Hernando de Talavera, confessor to the queen, who addressed an exhortation Juana, in which said he had taken the best match according to the Evangelists, and ended his speech by declaring that any relative, any real friends, no director true, would want it away from this holy determination.

irrevocable vows spoken by Jeanne did not stop his hand was requested in 1482 by Francis Phoebus, son of Gaston de Foix

and Magdalena de France, sister of Luis XI. Phoebus was the heir of Navarre. This proposal, made by the instigation of the French monarch, Louis XI was used to present difficulties for the kings of Castilla that threatened to Rousillon

Francisco Febo's death prevented things from going ahead. It is said (but not proven) that the widower of Elizabeth I en1504, the Catholic King suggested Jane to marry him. So expect Fernando to revive the princess title to the succession of Henry IV and remove the kingdom of Castile to Philip of Austria, who ruled on behalf of Joan I. The Beltraneja would not accept a husband who once declared her adulterous daughter of Juana of Portugal, and Beltrán de la Cueva.

However, the sister of Coimbra, as the Spaniards liked to call since taking the veil, the great lady, and said the Portuguese, often leaving the convent. Finally, the kings of Portugal was granted residence in the castle San Jorge (Lisbon) and lived with great pomp, protected by the kings of Portugal, which more than once hinted that they could give new life to the rights of the unfortunate princess. This until the end of his days, he signed with the words Queen I

. Shortly before his death, in 1530, tested their rights to the English crown in favor of King John III of Portugal.

His remains are now missing (as a result of the Lisbon earthquake so it is impossible to carry out a DNA sample to prove his ancestry.

Bibliography

Azcona, Tarcisio. Juana de Castilla, misnamed the Beltraneja , Madrid 2007.

Menéndez Pidal, Ramón. History of Spain . Volumes XV and XVII * and **.

SITGES, JB
Enrique IV and the Great Lady , Madrid 1912.
Almudena ARTEAGA.Juana the hidden sin beltraneja.El católica.Edit Isabella. The Sphere Books 2001

• Download here
• This episode develops the struggle of Queen Isabella and Juana la Beltraneja for the throne of Castile. A crucial clash with extraordinary influence over Castile and Spain. Isabel had no chance to the throne. Third in line to succeed John II, was ahead of his brother, King Henry IV, and Prince Alfonso. When Henry had a daughter, Jane, it became the heir to the throne. It was necessary to intervene to noble interests Alfonso and Isabella to become candidates for the crown and the death of one for the princess came to the forefront. And nobility continued interest and marriage policy at the time that Elizabeth sat on the throne, making her the great queen of unification, the end of the Reconquista, the American company's expansion into Europe
• 
  

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